Writing

prox005_cover-240x300.jpgWhere Possible Possibilities Are Possible: Experiences and Forms of the Possible.

Proximity Magazine, Issue 5.

This is part 1 of a multi-part essay on possibility. The piece examines phenomenology of the possible in social & protest practices.

Folks discussed: RNC Welcoming Committee, Tree & Space, Edible Estates, Red 76, The Bicycle Kitchen, Jr Ambassador and briefly Camp Baltimore.

Future installments of project coming soon.




Where Possible Possibilities Are Possible: Experiences and Forms of the Possible.

On the final day of 2008 I cycled to a tree in Eagle Rock, CA. My riding partner, in natty fisherpersons cap, was Kelly Marie Martin. The trip took us ten miles from her small house near smoggy downtown LA, through an industrial belt surrounding the LA River finally suddenly up a hill. This part of LA is filled with undeveloped hills available surprisingly for off-beat art projects. Breathing heavy, at the top we were met by a storm fence. We had to go around it to get at the scrubby chaparral behind.   ....




More about New Writing! Where Possible Possibilities Are Possible....
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Fritz Haeg and Evil Twin Publishing are releasing
this month The Sundown Salon Unfolding Archive.
It's like a 380 page collection of everything that was the Sundown Salon.

One of my favorite illustrations with some related poems (egads!), and a short essay of mine are all packed in here amongst a trillion other contributions. I was also very happy to also contribute one of the 5 possible covers for the book (the caveman & dinosaur to the left)!

Sundown was a magnificent thing for LA when it was going off. A place where you could go and see and meet people doing really neat stuff. Maybe it was the  idiosyncratic space of the dome- or just the time- but Sundown events unpacked for the moment in LA a real grassroots arts scene. We all had heard of one another in some manner but the Salons offered some common ground to be precisely that, common. Objects weren't there at all, what mattered most was the energy of sharing. The diversity of ideas that flowed through the Dome was outrageous, and probably the reason that it was so vital.

The book retroactively composes an artifact from this ephemerality. Its unweildyness (again 380 pages) is it's strength. 1/2 photos 1/2 writing it's a document of what we were when we dreamed of being together as artists.

More about Sundown Salon Unfolding Archive Available ...
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This diagram was developed in relationship to my contribution to issue # 6 of the Journal of Aesthetics and Protest, a research project on Possibility and art work in the Blockades exhibit.

This diagram is paired with the "Traditional Protest" Diagram.
More about Distributed Protest (Lecture Diagram)...
TraditionalProtest-edit-web.jpg
This diagram was developed in relationship to my contribution to issue # 6 of the Journal of Aesthetics and Protest, a research project on Possibility and art work in the Blockades exhibit.

This diagram is paired with the "Distributed Protest" Diagram.
More about Traditional Protest (Lecture Diagram)...
For issue # 6 of the Journal of Aesthetics and Protest, I wanted to spend some time with anti-war art and activism. I conducted a study and created an "antiwar survey" that was disseminated through-out California. After the surveys came back- I tried to making sense of it all, hence Dissidents in Decentered States: Living Otherwise During The Time Of War.

More about Dissidents in Decentered States: Living Otherwise During The Time Of War....
vanandfloatryol2sm.jpgReflections on Rubble
Rubble Division, Katie Grinnan (exhibition catalog)
Pomona College Museum of Art, 2006

Katie Grinnan asked me to go on a trip with her to chronicle the  journey of a parade float from Joshua Tree, CA to New York- stopping at the Wapatki Ruins, Las Vegas, Crawford Texas, and New Orleans. The float was an evocation of ruins.  Click "More" for the whole piece.


Image courtesy of Dawn Kaspar

More about Rubble Division ...
More about JOAAP Titles Available On Amazon...
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Counter Culture Dialectics was a diagram I dreamed up back in 2003/04. It synthesized a bunch of stuff I'd been thinking about in relations to counter cultural practices.

I wanted to conceptualize a continuum between historic avantegarde cultural practices through the classic period of the American Counter Culture, till today. This diagram and a few others ended up in this article in the JOAAP.
More about Counter Culture Dialectics (Lecture Diagram)...