Teaching
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Another LA Is Possible Parts One and Two is a two part exhibition I've organizing with my students at Otis College of Art and Design. Its basic form is call & response. Part One is the call, Part Two is the response.

Participants in Part One are  artists, architects & urbanists; all exploring ways to be in LA beyond a cookie cutter existence: Homegrown Evolution, Sandra de la Loza, Stephanie Smith, Wu Ingrid Tsang and Michael Parker.


Photo-003x.jpgPart One of the exhibition is taking place in a non-traditional space, the glass-cabinet of the
hallway  connecting a  parking garage and Lincoln Boulevard. The building is the a redevelopment of an Los Angeles Airport area hotel into the first permitted "mulit-use" residential complex in LA.

The exhibition is mainly trafficked by the buildings' residents, and the show takes advantage of that context. Participants where suggested to use the glass cases to make "didactic displays" to in a sense "teach" how they see other ways we can live together in the city.





IMG_0411.jpgSelf Irrigating Pots are a planting system that is well suited for apartment dwellers. They are efficient users of water as well as space. For their display case Homegrown Evolution chose to write up, for residents of the building, directions for making there own self irrigating pots. The photo to the left was taken at a workshop held at the building- here Erik and Kelly are explaining apartment gardening techniques.



Free Shelf2.jpgFor the exhibition social architect Stephanie Smith has turned one of the glass cases into a free shelf. This is a graphic she's created suggesting ways that free shelves can be used




















CONVIVENCIA.jpgThis is a schematic drawing from Wu for the neon light they've put in his case at Another LA Is Possible. The light says both Convivencia and Existence on it. Wu explained that convivencia "is a word that has come up a lot through my silver platter organizing. it's a way people often talk about the social space and it doesn't have a direct english translation. politically historically it refers to "peaceful coexistence" but it also implies "sharing," which creates a kind of contradiction that i think really complexifies my understanding of community. particularly in terms of doing wildness, or any art project anywhere that is site responsive. i haven't seen your vitrines but i imagine that at least symbollically they may pose similar questions."

Part Two of Another LA Is Possible opens Dec. 10th. For that and the rest of the work in Part One check it out your self. Shows are iup through January at 18001 Lincoln Boulevard, in LA.




More about Another LA Is Possible Part One ...
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This Fall my New Genre's Art Class at USC has been collaborating with the Levan Institute For Humanities and Ethics. Come January students will be mounting an exhibition/event. It May Be Legal But Is It Right?, will be a show and happening made up of artwork that engage the students of USC in aesthetic and ethical questions. Students projects will interrogate the ethics of warfare, labor, privacy, business, speech, and authority. The show will be mounted outdoors in a campus quad, with some projects taking place off site, as interventions in the campus architecture.

This semester  our class focused on ways artist engage publics. We looked at rhetoric and theory surrounding the manner by which representational, abstract, and social/relational art are said to connect with people. We considered practice as a form of sociological or behavioral psychology. We looked at artists who create stages or situations for encounter. And we considered the genres of parodic art and service as strategies to interrogate publics.


Photo-0041.jpgStudents of FA 335 discussing their projects to be made public this January for the show "It May Be Legal But Is It Right?"

Update 4/2/2010...
Show happened, article here!



More about It May Be Legal But Is It Right?...
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This diagram was developed in relationship to my contribution to issue # 6 of the Journal of Aesthetics and Protest, a research project on Possibility and art work in the Blockades exhibit.

This diagram is paired with the "Traditional Protest" Diagram.
More about Distributed Protest (Lecture Diagram)...
TraditionalProtest-edit-web.jpg
This diagram was developed in relationship to my contribution to issue # 6 of the Journal of Aesthetics and Protest, a research project on Possibility and art work in the Blockades exhibit.

This diagram is paired with the "Distributed Protest" Diagram.
More about Traditional Protest (Lecture Diagram)...
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Counter Culture Dialectics was a diagram I dreamed up back in 2003/04. It synthesized a bunch of stuff I'd been thinking about in relations to counter cultural practices.

I wanted to conceptualize a continuum between historic avantegarde cultural practices through the classic period of the American Counter Culture, till today. This diagram and a few others ended up in this article in the JOAAP.
More about Counter Culture Dialectics (Lecture Diagram)...